Shigeko kubota biography of barack

  • Born in 1937 in Niigata, Japan, Shigeko Kubota became a key member of the Japanese avant-garde, a respected participant in New York Fluxus events in the 1960s.
  • Japan-born artist Shigeko Kubota (1937-2015) is a pioneer of video art.
  • Shigeko Kubota studied sculpture at Tokyo University.

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    Shigeko Kubota (August 1937 – July 2015)

    “I want to create a fusion of art and life, Asia and amerika, Duchampiana and Levi-Straussian savagism, cool struktur and hot video”

    Shigeko Kubota was a Japanese film artist, sculptor and avant-garde performance artist who spent most of her life in New York; she moved there in 1964 after she witnessed John Cage perform in Tokyo in 1962 and George Maciunas invited her for a performance. She travelled to New York with Mieko Shiomi. Kubota went on to be dubbed ‘Vice President’ of Fluxus by Maciunas. Kubota was married to Nam June Paik from 1977:

    “We are very different, like vatten and oil. Even when I did my own stuff, people said, ‘She imitates Nam June.’ inom found it infuriating. So I headed further in the direction of Duchamp. When Nam June went populist, inom went for high art. . . with film, Nam June was experimental and smutsig eller oordnad . Wires were sticking out from his early machine works. That’s why inom went toward Duchamp. My work was very c

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    Shigeko Kubota studied sculpture at Tokyo University. After a brief stint as a teacher, she became a well-known multimedia artist of the Tokyo avant-garde scene in the 1960s. In the wake of World War II, Japan came out of its artistic isolation: on the occasion of a visit to the capital, Yoko Ono, then an eminent artist of the New York scene, introduced her home country to Fluxus and other avant-garde movements, while a 1962 performance in Japan by John Cage would make a lasting impression on S. Kubota. Japanese avant-garde movements such as Gutai and Jikai-Ha appeared during these years. Kubota became a member of the group Ongaku, a collective that experimented with performance, music and visual arts – a common combination at the time. Inspired by Y. Ono and the Korean artist Nam June Paik, she sent her ideas for happenings to the Fluxus pioneer George Maciunas, who encouraged her to come to New York. Kubota’s first solo show was held at the Naiqua Gallery in Tokyo i

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    Shigeko Kubota, Mary Lucier, Cecilia Sandoval and Charlotte Warren-Huey

    Red, White, Yellow, and Black: 1972–73

    On View: March 7-April 29, 2023

    The Kitchen at Westbeth (163B Bank Street, 4th Floor Loft)

    Opening day hours:

    Opening Reception March 7, 6–8pm

    Time:

    Tuesday–Saturday, 11am–6pm, Free

    LectureOn View

    Exhibition Guide

    In 1971, Cecilia Sandoval (b. 1951), Mary Lucier (b. 1944), Shigeko Kubota (1937–2015), and Charlotte Warren (b. 1932) formed the coalition Red, White, Yellow, and Black. The group staged three multimedia concerts at The Kitchen on December 16, 1972, and April 20 and 21, 1973, housed at the time in the Mercer Arts Center, The Kitchen’s first home.

    Choosing a name that deliberately reflected the cultural identities of each member, the four artists conceived the group as an inclusive platform that would highlight their individual backgrounds and experimental practices. Red, White, Yellow, and Black: 1972–73 brings together archival material, print ep

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