Poema a manuela saenz biography

Por Tomás Straka

El pedestal, vacío sektion monumento que alguna vez lo coronó, habla dem un reino que ya no existe;  el busto caído a sus pies y hundido en la arena, es el dem un soberano al que ya nadie recuerda; la inscripción habla de un poder que se proclamó eterno, pero que ahora demuestra la fugacidad dem las cosas humanas: el famoso poema de Percy Shelley sobre Ozymandias es, entre otras muchas cosas, una metáfora del poder.  Así como los monumentos, y dem ellos enstaka especial las estatuas, titta erigen como una simbolización del poder, cuando titta derriban (o se caen solos) también lo son de su pérdida.  ett momentos ett los que en el mundo acaba de vivir una ola de derribamientos o remociones de estatuas, de héroes que dem un día para otro parecen seguir el destino de Ozymandias, vale la pena detenerse en todo lo que encierra este fenómeno.

No titta trata, por supuesto, dem un fenómeno nuevo (aunque sí, hasta do

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Chapter 3: Reception in the Eighteenth to Twenty-First Centuries

Marino, Nancy. "Chapter 3: Reception in the Eighteenth to Twenty-First Centuries". Jorge Manrique's Coplas por la muerte de su padre: A History of the Poem and its Reception, Boydell and Brewer: Boydell and Brewer, 2011, pp. 95-134. https://doi.org/10.1515/9781782040033-005

Marino, N. (2011). Chapter 3: Reception in the Eighteenth to Twenty-First Centuries. In Jorge Manrique's Coplas por la muerte de su padre: A History of the Poem and its Reception (pp. 95-134). Boydell and Brewer: Boydell and Brewer. https://doi.org/10.1515/9781782040033-005

Marino, N. 2011. Chapter 3: Reception in the Eighteenth to Twenty-First Centuries. Jorge Manrique's Coplas por la muerte de su padre: A History of the Poem and its Reception. Boydell and Brewer: Boydell and Brewer, pp. 95-134. https://doi.org/10.1515/9781782040033-005

Marino, Nancy. "Chapter 3: Reception in the Eighteenth to Twenty-First Centuries" In Jorge Manri

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Policarpa Salavarrieta

Heroine of the Colombian War of Independence

"Policarpa" redirects here. For other uses, see Policarpa (disambiguation).

Policarpa Salavarrieta Ríos (c. 26 January 1795 – 14 November 1817), also known by her nickname of La Pola, was a Neogranadineseamstress who spied for the Revolutionary Forces during the SpanishReconquista of the Viceroyalty of New Granada. She was captured by Spanish Royalists and ultimately executed for high treason. The Day of the Colombian Woman is commemorated on the anniversary of her death. She is now considered a heroine of the independence of Colombia.^[1]

Name

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Because her birth certificate was never found, her legal given name is unknown. The name Salavarrieta is known only by the names her family and friends used. Her father referred to her as Apolonia in his will, which Salvador Contreras, the priest who formalized the testament on 13 December 1802, confirmed.^[2] She was closest to her