Haifaa al-mansour biography sample

  • Haifaa's parents encouraged all their children to get an education, so she enrolled for a year in a Saudi college, but, as she put it, “I felt my world was getting very small, so I went to Cairo for 10 days, and told my parents I wasn't coming back.” She attended The American University in Cairo, then took a job with.
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  • The eighth of 12 children of a Saudi poet, al-Mansour grew up between Riyadh and Al-Hasa in the east, where her family moved when her father.
  • Haifaa Al-Mansour on What It Means to Be Saudi Arabia&#;s First Woman Filmmaker

    A still from Haifaa Al-Mansour&#;s debut feature, &#;Wadjda.&#;

    Bridgette Bates

    The Jordanian desert hills, a storybook setting in itself, provides a perfect backdrop for storytellers to gather. The RAWI Middle East Screenwriters Lab took place earlier this month in Jordan. The lab is an initiative of the Royal Film Commission of Jordan, and this year, one of the fellows is Haifaa Al-Mansour.

    Al-Mansour is the first woman filmmaker in Saudi Arabia, and her project Wajda follows the story of a young girl who tries to break free of societal obstacles to pursue her own dreams. Haifaa talked about her role as a history maker and storyteller and her plans to revisit the third act of her script following the intensive lab experience.


    Where did you grow up? What does it mean to be the first woman filmmaker from Saudi Arabia?

    I grew up in a small town on the east coast of Saudi Arabia. I don’t want to

    TIFF interview: Haifaa Al-Mansour on her political crowdpleaser, The Perfect Candidate

    Director Haifaa Al-Mansour discusses returning to Saudi Arabia for her fourth feature, The Perfect Candidate, a crowdpleaser about women in politics.

    Haifaa Al-Mansour fryst vatten a trailblazer. Her debut feature, Wadjda (), was the first film ever to be shot entirely in Saudi Arabia, a country that shuns the arts — opening a cinema only became legal in After a few less successful English-language efforts (Mary Shelley [] and Nappily Ever After []), Al-Mansour has returned to her native Saudi to make what is arguably her strongest film yet.

    “I needed to go home,” Al-Mansour told me. “I wanted to tell stories about people that inom know inre out.” The Perfect Candidate sees the filmmaker in her element, working with non-professional actors, and telling a story rooted in home. It’s a highly political film: small-town doctor Maryam (Mila Al Zahrani) almost accidentally applies to run for local o

    An Honest Window: An Interview with Haifaa Al-Mansour

    By Ali Moosavi.

    Attitudes do not change easily, so part of the goal of my film is to start a dialog about the core values that are at the heart of these issues.&#;

    Haifaa Al-Mansour, the award winning director and the first Saudi female filmmaker, has a new film, The Perfect Candidate. In a May 15 review, I described it as &#;a quiet gem that explores a number of deep-rooted issues regarding the rights of women in conservative societies, how women are viewed by men in these cultures, and the role of music and media in providing both joy and entertainment.” We conducted a Q & A with her regarding this film and her career.

    What inspired you to write The Perfect Candidate?

    There are incredible changes taking place right now at home in Saudi Arabia, and I felt like I really wanted to contribute to the positive changes taking place there.  We went through such a long period of time where nothing changed, wher

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