Chardin jean baptiste simeon biography
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Jean-Baptiste-Simeon Chardin Biography In Details
Chardin's work had little in common with the Rococo painting that dominated French art in the 18th century. At a time when history painting was considered the supreme classification for public art, Chardin's subjects of choice were viewed as minor categories. He favored simple yet beautifully textured still lifes, and sensitively handled domestic interiors and genre paintings. Simple, even stark, paintings of common household items (Still Life with a Smoker's Box) and an uncanny ability to portray children's innocence in an unsentimental manner (Boy with a Top [below]) nevertheless found an appreciative audience in his time, and account for his timeless appeal.
Largely self-taught, he was greatly influenced by the realism and subject matter of the 17th-century Low Country masters. Despite his unconventional portrayal of the ascendant medelklass, early support came from patrons in the French aristocracy, includ
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Among the most admired still-life painters of all times, Chardin was undoubtedly the greatest of the eighteenth century.
However, after his death in oblivion rapidly overtook his name and art until his rediscovery in the mid-nineteenth century by the ‘Realist’ critic Théophile Thoré, also the champion of Vermeer, and the Goncourt brothers who revived the taste for French rococo art.
Chardin’s first publicly exhibited works were still lifes and it was remarkable that a painter in this &#;lowly&#; genre should be admitted to the Académie Royale de Peinture et Sculpture as he was in with his presentation piece of The Ray (musée du Louvre, Paris). He supplemented his income from still-life painting with the production of genre scenes, often depicting quiet domestic interiors or children at play. He exhibited from at the Salon, whose exhibitions he would later organize and won the approval both of the King Louis XV and the influen
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Jean Siméon Chardin
French painter (–)
Jean Siméon Chardin | |
|---|---|
Self-portrait, , pastel, Louvre | |
| Born | ()2 November Rue de Seine, Paris, France |
| Died | 6 December () (aged&#;80) Louvre, Paris, France |
| Resting place | Saint-Germain l'Auxerrois |
| Nationality | French |
| Education | Pierre-Jacques Cazes, Noël-Nicolas Coypel, Académie de Saint-Luc |
| Known&#;for | Painting: still life and genre |
| Notable work | |
| Movement | Baroque, Rococo |
| Patron(s) | Louis XV |
Jean Siméon Chardin (French:[ʒɑ̃simeɔ̃ʃaʁdɛ̃]; November 2, &#;– December 6, [1]) was an 18th-century Frenchpainter.[2] He is considered a master of still life,[3] and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work.
Life
[edit]Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He l