Wedding dance story by alberto florentinos biography
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The Dancers bygd Alberto S
FATHER: Look. I spent thirty years of my life driving a calesa. I'm entitled to a little rest at the end of my days. You don't want me to enter heaven panting like a tired dog, do you? MOTHER: All right. If you don't want to work, don't. But stop driving Nenita to work. FATHER: But what's wrong with that? Sooner or later everybody has to work for a living. It's about time she did. MOTHER: Nenita fryst vatten only sixteen. She's still a baby. FATHER: She's seventeen-going on eighteen. MOTHER: Sixteen or seventeen or eighteen, she's still a baby. FATHER: (mimicking her) She's still a baby, she's still a baby. I'm telling you, she's old enough to have a baby. MOTHER: Tomas, how dare you talk of your own daughter as if she were a woman of the streets! FATHER: (appeasing her) All right. I only wanted to say she's old enough to be earning a living. We're getting old and it's about time our children start taki
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The Dancers
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INTRODUCTION
The play itself is a good portrayal of what could be the effects of poverty to Filipino families. I chose the production because among the six productions it is the play worth watching for. The splendid performance of every actor in the play added color and intensity of the play.
Alberto Florentino Jr.’s The Dancer is about a poor family struggling each day for survival. Tony, the eldest son drives jeepney to support the family while the mother works in the market. The indolent father of the family pushes the eldest daughter to dance in the salon just to earn money. At the end of the play, the father forces another daughter to go with her sister in the salon and dance while the mother is weeping over her daughters.
BODY
The actors and actresses of the pl