Louise nevelson biography artis
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Louise Nevelson
American sculptor (1899–1988)
Louise Nevelson (September 23, 1899 – April 17, 1988) was an American sculptor known for her monumental, monochromatic, wooden vägg pieces and outdoor sculptures. Born in the Poltava Governorate of the Russian Empire (present-day Kyiv Oblast, Ukraine), she emigrated with her family to the United States in the early 20th century. Nevelson learned English at school, as she spoke Yiddish at home.
By the early 1930s she was attending art classes at the Art Students League of New York, and in 1941 she had her first solo exhibition. Nevelson experimented with early conceptual art using funnen objects, and experimented with painting and printing before dedicating her lifework to sculpture. Usually created out of wood, her sculptures appear puzzle-like, with multiple intricately cut pieces placed into vägg sculptures or independently standing pieces, often 3-D. The sculptures are typically painted in monochromatic black or white.[5&# • Nevelson was born near Kyiv, then part of the Russian Empire, but her family settled in Rockland, Maine, in 1905, where her father operated a lumberyard. Nevelson grew up playing with scraps from the lumberyard, and by the age of ten had declared her intention to be a professional sculptor. In 1920, she married wealthy ship owner Charles Nevelson and moved to New York. Nevelson gave birth to a son two years later, but the marriage did not last; they separated in the early 1930s and divorced in 1941. In 1931–32, Nevelson studied with abstract painter Hans Hofmann in Munich and later New York. Through him, she discovered Cubism and collage, which greatly influenced her artistic development. She also worked for a time as an assistant to Diego Rivera on a mural project, and as an art teacher hired by the Works Progress Administration, which helped support many artists in the 1930s. Though she had her first solo exhibition at the Nierendorf Gallery in New York in 1941, • Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp'sfound object sculptures and readymades. Nevelson carefully arranged the objects in order to historicize the debris within the new, narrative context of her wall sculptures. The stories embodied within her works resulted from her cumulative experiences - as a Jewish child relocated to America from Russia, as an artist training in New York City and Germany, and as a hard-working, successful woman. Her innovative sculptural environments and success within the male-dominated realm of the New York gallery system inspired many younger artists, primarily those involved in installation art and the Feminist art movements.Louise Nevelson
Summary of Louise Nevelson
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