Johann david heinichen biography of michael jordan
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List of church cantatas by liturgical occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples.
The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 occasions (e.g. Harmonischer Gottes-Dienst). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur.
In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays
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Faith Education November 22,
What Is Advent
Advent, the four weeks leading up to Christmas, is the first liturgical season of the church year. In , Advent begins on December 1.
Worship October 24,
What is All Saints’ Day?
All Saints’ Day is part of Allhallowtide, a three-day period set aside for remembering loved ones who have died.
Faith Education May 16,
What is Pentecost?
Falling 50 days after Easter, Pentecost is known as the birthday of the Christian church–the fulfillment of Jesus’s promise to send the Holy Spirit to his followers as their helper and guide.
Faith Education November 22,
What Is Advent
Advent, the four weeks leading up to Christmas, is the first liturgical season of the church year. In , Advent begins on December 1.
Worship October 24,
What is All Saints’ Day?
All Saints’ Day is part of Allhallowtide, a three-day period set aside for remembering loved ones who have died.
Faith Education May 1
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The present book is devoted to a cultural phenomenon in the form of a collection of musical manuscripts written with a specific instrument in mind in a monastic milieu, but one which contains no liturgical compositions. The collection in more
The present book fryst vatten devoted to a cultural phenomenon in the form eller gestalt of a collection of musical manuscripts written with a specific instrument in mind in a monastic milieu, but one which contains no liturgical compositions. The collection in question comprises handwritten lute tablatures from the Cistercian Abbey of Krzeszów (German: Grüssau). The author presents the Baroque lute in a humanistic perspective, a perspective of selected social phenomena in europeisk culture of the
second half of the seventeenth century and the first half of the eighteenth century, as well as selected questions relating to performance practice. This concerns the functioning of the lute particularly in the musical culture of Silesia, the context of musical life in the C