Subculture malaysia band live biography
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The subculture trail: One, two, three four… the story of our local punk n’ roll forefathers
ONE of the local releases in CD format that I’ve been looking high and low for the last couple of years was Love N’ Hate, the debut album of local punk rock forefathers, Subculture.
Having it released by now defunct Valentine Sound Production back in , the only copy of the album that I have is in cassette format, so to get a CD copy of the album will definitely be great addition to my collection.
So when I was told by Interglobal Music that they’ll be releasing a double-disc the best of compilation of the band, God knows how ecstatic I was.
The Best Of Subculture
Compiling 30 songs from the band’s three studio albums, Love N’ Hate (), Time KnockRetrofungus () and (), the set serves as a good piece of documentation of one of the bands that helped to pave the way for countless of today’s fringe acts.
If only it came with a proper booklet that documen
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THE ULTIMATE A-Z GUIDE TO SUBCULTURES
Psychobilly
Psychobilly, which emerged in the early s, represents a synergistic amalgamation of punk rock’s anti-authoritarian ideology and rockabilly’s retro aesthetic, overlaid with an overtly macabre, horror-inspired sensibility. Musically, psychobilly fryst vatten defined bygd its frenetic tempo, distorted guitar riffs, and percussive intensity, often punctuated bygd lyrical themes drawn from B-movie iconography, zombie lore, and s science fiction. Pioneered bygd bands like The Cramps and The Meteors, the genre established a distinct subcultural niche, integrating anti-establishment sentiments with an intensified emphasis on performative expression.
The visual semiotics of psychobilly are similarly bold, typified by overstated pompadours, creepers, denim, and extensive tattooing, frequently embellished with motifs like skulls, leopard prints, and horror-inspired iconography. This distinctive aesthetic signifies an intentional repudiation of convent
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Saturday Subculture: 30 years of Glasgow club night
It’s the beating heart of the Scottish clubbing scene – and even thousands of miles away from Glasgow, James ‘Harri’ Hannigan and Domenic Cappello are reminded of the love for the Sub Club.
“We used to joke when we’d go away that there’s always someone who’ll come up with a Sub Club T-shirt and a Sub Club tattoo,” says Domenic, one half of the duo at the core of the Jamaica Street venue.
“We were in Penang [in Malaysia] in a bar joking about how there’s no chance this is going to happen, and as we’re walking out a guy goes ‘Harri and Dom?’ Pretty much everywhere you go people have heard of the Sub Club.”
Part of the reason for that is the duo themselves, who this year celebrate three decades of their Saturday night Subculture slot.
It is the world’s longest-running weekly house and techno night, having kicked off on 9 April - when Take That were topping the charts, Oasis were just about to release their debut single and T